Results tagged “Kiyoshi Kurosawa” from SaruDama

Tokyo Sonata

Genre: Personal, Familial and Social Crises in Contemporary Japan

review in one breath

When a Tokyo salaryman loses his job, his personal identity and family stability are suddenly forced to the point of implosion. Hiding his shameful predicament from his family, he leaves the house daily as if going to the office, only to spend his hours in food lines and the unemployment agency. Despite his every effort to keep things intact, his family's cohesion slowly disintegrates as forces internal and external come to a head. This is the latest film by director Kiyoshi Kurosawa and marks an intentional break from his previous work in psycho-horror.



The Guard from Underground
[Jigoku no Keibin]

Genre: Slasher Horror

review in one breath

Akiko's first day on the job soon turns out to be the most hazardous day of her life as she inadvertently discovers the murderous activities of a recently hired security guard. This early film by director Kurosawa Kiyoshi pays tribute to the era's slasher genre and already demonstrates his fascination with societal relationships and psychological horror.



Kourei
[Seance]

Genre: Supernatural Psychological Suspense

review in one breath

Kourei ("Seance" in English) is directed by Kiyoshi Kurosawa, also responsible for the likes of Cure (1997), "Hebi no Michi" (Serpent's Path, 1997), Charisma (1999), and Kairo (2001) among others. Kurosawa is increasingly recognized as a premier director able to deliver significant impact. His films are characterized by his willingness and patience to allow audiences to arrive at an understanding without being spoon-fed or merely told. In other words, this Kurosawa enjoys watching your mind interact with his film, and his relish of this interaction causes him to refrain from spelling out every detail and nuance he wishes you to catch.



Kairo
[Pulse]

Genre: Apocalyptic Ghost Story

review in one breath

Kairo (2001) has been out in the mainstream for quite some time and is already rather well-known in Western circles predominantly due to its being a film by Kurosawa Kiyoshi, a director with a number of films appearing on many j-horror fans' list of favorites. (Kurosawa films which are reviewed on this site include: Cure (1997), Charisma (1999), Kourei (2000), Akarui Mirai (2003), and Doppelganger (2003). ) A characteristic motif of his films is the fluidity of individuality and his narratives almost always consist of a character's inner transformation through extreme situations. For Kurosawa, this transformation is not simply one toward greater maturity or conventional notions of self-knowledge. It often entails what he understands to be a consistent trajectory with the harsh, often cruel realities of the natural world, and so his characters often transform from a state the audience can at least identify with into one which lies outside the bounds of our expectations.



Doppelganger
[Dopperugenga]

Genre: Quasi-supernatural Psychological Suspense

review in one breath

In Doppelganger director Kurosawa Kiyoshi continues his fascination with the notion of human individuality. The exploration of this theme can be found in most of his major films (including Cure (1997), Kourei (2000), Charisma (2000), and Akarui Mirai (2003)) and generally involves the evolution of the main characters' moral standing in the face of strange and difficult experiences. In Doppelganger, Kurosawa's exploration takes an entirely new approach and involves the impact upon individuality when the main character confronts potential madness and the sudden appearance of an evil twin ("doppelganger").



Cure
[Kyua]

Genre: Quasi-supernatural Psychological Suspense

review in one breath

Cure is the first theatrical film directed by Kiyoshi Kurosawa, who later went on to direct many popular thriller/horror films including "Hebi no Michi" (Serpent's Path, 1997), Charisma (1999), Kourei (Seance, 1999) and "Ka�iro" (2001).



Charisma
[Karisuma]

Genre: Psychological Action

review in one breath

Heaven and Earth are not humane.
They regard all things as straw toys.
Therefore the wise man is not humane.
He regards all people as straw toys.

(~ Tao Te Ching)

Goro Yabuike (Koji Yakusho) is a Tokyo precinct detective who is called in for the difficult cases. His entire waking life consists of crazed lunatics and senselelss murders. Somehow he has found himself in the position where he is the soul who stands between the lunacy and civilized society, sometimes as translator, sometimes as the sole person who will decide a tragic situation's outcome. We are introduced to the sleep-deprived Yabuike as he is called to intervene in a hostage situation whose demands are simply "To restore the rules of the world". Reading this demand, he gives up any hope of resolution and as he leaves the presence of the gunman, the entire hostage situation goes to hell. His recurring preoccupation with this scene underscores his growing disdain for the chaotic social order in which he is steeped.



Bright Future
[Akarui Mirai]

Genre: Contemporary Urban/Existential Drama

review in one breath

A characteristic exploration within the films of director Kurosawa Kiyoshi has to do with the fluidity of "individuality" within the ever-changing environment of his characters' worlds. In Cure (1997) the main character, forced to confront and consider the absolute amoral attitude of the antagonist, undergoes a radical transformation regarding his own moral conscience and action. In Charisma (1999), the seemingly nihilistic main character flees the chaotic moral morass of urbanized civilization into a more "natural" environment, where, after observing the lessons of an even starker reality, returns to the city morally emboldened. In Kourei (2000), through misfortunate happenstance, the naive and humble lives of the two main characters are plunged, first into moral ambiguiuty, and finally into the collapse of character.




Sakebi [Retribution]

Genre: Supernatural Psychological Thriller
Director: Kiyoshi Kurosawa (2006)

review in one breath

Soon after investigating the murder of a young woman, a hardened detective finds that he is haunted by the woman's ghost and discovers several inexplicable clues seemingly linking him to the crime. As he struggles to understand his nightmarish predicament, both inner and outer worlds collide in this disturbing and mind-bending morality tale.



Kazuo Umezz's Horror Theater Vol 1:
House of Bugs / Diet

[Umezu Kazuo Kyoufu Gekijou: Mushitachi no Ie / Zesshoku]

Genre: Powerful Psychological Horror

review in one breath

This collection contains two horror stories based on manga by Umezu Kazuo. These are both very effective tales of psychological horror in which audiences will find themselves led along truly bewildering paths. This is the first of three volumes and is well worth watching. Director Kurosawa Kiyoshi directs the first tale here.



SaruDama Home home home