Buxom starlette Mizutani Kei is the centerpiece of this film due to her unparalleled skills at nude bath scenes and convincing leather-clad whip wielding. She has starred in a number of similar pink films and so her name has become synonymous with on screen exaggerated orgasmic moanings, glistening nipples and the knack for finding herself in narratives involving girl on girl eroticism. (For the full story, check out her 1995 semi-autobiographical Undressed for Success.) Throw director Hosoyama Tomoaki into the mix whose earlier work consisted of films such as Lust – Onanie (1985) and Lesbian Harem (1987) and I think you get a pretty good idea as to where we are headed…
This is actually Mizutani’s film debut and she demonstrated enough of an acting (?) ability to launch a career which would include a total of 40 (actual, non-porno) films.
To be honest, the film was relatively popular due primarily, of course, to the sexual content, but also for its comedic value. (A sequel came out a year later also directed by Hosoyama.) In many ways A Weather Woman almost earns “camp” status due to its non-stop mish-mash of outrageous and comedic elements. There is plenty of nudity and sex, over-the-top musical gala, goofy and sinister characters, hokey BSDM scenes, supernatural sword battles between pink-leather clad vixens, and a whole lot more.
If nothing else, this is intended to be a fun and TITillating experience.